75th Anniversary: New Visions for the Permanent Collection
FEATURED EXHIBITION

75th Anniversary: New Visions for the Permanent Collection

MAR 06 – AUG 16, 2026

For 75 years, the Museum’s Permanent Collection has been shaped by landmark gifts, sustained generosity, and careful stewardship. What began as a regional commitment to art has grown into a collection defined by depth, continuity, and evolving perspective.

This exhibition reflects both history and momentum. At its core are gifts made in honor of the Museum’s 75th Anniversary — works that expand the Collection across media, cultures, and time periods. Installed in dialogue with longstanding holdings, these new acquisitions illuminate established strengths while opening new areas of inquiry.

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Washington's Greatest Victory: Yorktown and American Art

Washington’s Greatest Victory: Yorktown and American Art

Opens July 2

In 1781, the Siege of Yorktown secured George Washington’s greatest military victory and effectively ended the Revolutionary War.

Organized in collaboration with George Washington’s Mount Vernon and presented in celebration of the 250th anniversary of American independence, this exhibition explores how artists have interpreted Yorktown and shaped its place in national memory.

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VMFA on the Road: Virginia as America

VMFA on the Road: Virginia as America

JUL 10-11 | 10 AM-5 PM

Featuring works of art from the Virginia Museum of Fine Arts’ permanent collection, this traveling exhibition was organized in recognition of VA250, the Commonwealth of Virginia’s commemoration of the 250th anniversary of the American Revolution, the Revolutionary War, and the Independence of the United States.

Virginia as America: Navigating Life, Liberty, and the Pursuit of Happiness explores the American ideal that was first expressed in the Declaration of Independence. The evocative phrase “Life, Liberty, and the pursuit of Happiness” founded a nation on a promise of “inalienable” rights, a promise that has endured for 250 years.

From the collection at VMFA, 14 works of art—paintings, prints, and decorative objects—provide an alternative lens by which to understand our past, encouraging us to consider the hopes and challenges of those founding principles and their persistent relevance for realizing a “more perfect union.”

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Daily Guided Tours

Daily Guided Tours

Explore the Museum with our guided tours offered every day of the week at 1 pm!

Our knowledgeable team will take you on a one-hour journey through the galleries, sharing insightful stories and interesting facts about the works on view.

Please note that the Museum does not offer daily guided tours on major holidays.

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See what’s happening at the museum on the day of your visit.

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Passing through Southwest Virginia? Get insider tips on hotels, local restaurants, and things to see and do while you’re visiting our city.

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Taubman Museum Shop

Taubman Museum Shop

Artful, creative, inspired – discover thoughtfully curated gifts and products in the Taubman Museum Shop. Visit today for a delightful shopping experience!

The Taubman is your museum.
OUR COMMUNITY

The Taubman is your museum.

Free general admission — always. An exciting schedule of public gatherings and signature events. Extensive benefits for our members. Activities and learning opportunities for children of all ages. We invite you to meet us at the Taubman, whether in person or virtually, from wherever you happen to be.

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EXPLORE THE MUSEUM

The Permanent Collection

The Taubman Museum of Art has more than 2,000 works in the collection, from the 10-foot sculpture Art World by James Harold Jennings to the inch-and-a-half square photograph Maggie on Beach with Dog by Thomas Cowperthwaite Eakins, and from 3,500-year-old Egyptian Ushabiti ceramic figures to contemporary Roanoke artists.

These works are shown on a rotating basis in exhibitions in the Fralin Center for American Art, the Museum’s main gallery level on the second floor. Explore a sample of selected works from the collection below.

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Robert Riggs (American, 1896-1970), The Brown Bomber, 1938, Tempera on panel, Taubman Museum of Art, Acquired with funds provided by the Horace G. Fralin Charitable Trust, 2000.003

Robert Riggs (American, 1896-1970), The Brown Bomber, 1938, Tempera on panel, Taubman Museum of Art, Acquired with funds provided by the Horace G. Fralin Charitable Trust, 2000.003

John Singer Sargent, Portrait of Norah Gribble, 1888, Oil on canvas, acquired with funds provided by the Horace G. Fralin Charitable Trust, 2000

John Singer Sargent, Portrait of Norah Gribble, 1888, Oil on canvas, acquired with funds provided by the Horace G. Fralin Charitable Trust, 2000

Norman Rockwell (American, 1894-1978), Framed, 1946, Oil and graphite, 42 1/2

Norman Rockwell (American, 1894-1978), Framed, 1946, Oil and graphite, 42 1/2″ x 33”, Acquired with Funds Provided by the Horace G. Fralin Charitable Trust

Petah Coyne (American, Born 1953), Atlanta Gal, 1996-1997, Melt resistant wax over candles, ribbon, and steel, Partially acquired with funds provided by the Cherry Hill Endowment and by the Estate of Mary Ella Eckman

Petah Coyne (American, Born 1953), Atlanta Gal, 1996-1997, Melt resistant wax over candles, ribbon, and steel, Partially acquired with funds provided by the Cherry Hill Endowment and by the Estate of Mary Ella Eckman

John Cage (American, 1912-1992), Not Wanting To Say Anything About Marcel Plexigram II, 1969; silkscreened Plexiglas mounted in walnut base, 14 1/2″ x 14 1/2″ x 14 1/2″, Purchased with funds from the Cherry Hill Endowment. 2006.005.001a‑i, .002

John Cage (American, 1912-1992), Not Wanting To Say Anything About Marcel Plexigram II, 1969; silkscreened Plexiglas mounted in walnut base, 14 1/2″ x 14 1/2″ x 14 1/2″, Purchased with funds from the Cherry Hill Endowment. 2006.005.001a‑i, .002

Robert Henri (American, 1865-1929), Jimmie O’Donnell, 1924, Oil on canvas, Taubman Museum of Art, Acquired with funds provided by the Horace G. Fralin Charitable Trust, 2001.002nt

Robert Henri (American, 1865-1929), Jimmie O’Donnell, 1924, Oil on canvas, Taubman Museum of Art, Acquired with funds provided by the Horace G. Fralin Charitable Trust, 2001.002nt

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