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Medicine Lodge,1997, Robert Houle (Saulteaux Anishinaabe, Sandy Bay First Nation, born 1947), lithograph. Virginia Museum of Fine Arts, Richmond, Funds provided by Margaret A. and C. Boyd Clarke and Aldine S. Hartman Endowment Fund, 2020.158

Words Matter & Untold History

Oct 02, 2025 Jan 11, 2026

Words Matter underscores the richness and diversity of contemporary Indigenous experiences, highlighting artists who combine text and image.

Indigenous people, regardless of their tribal affiliation, share experiences of cultural oppression, often facilitated through the use of the written word—which was, and continues to be, a powerful weapon used by the federal government and individual authors alike against Indigenous peoples. These works provide a means for chronicling tragedy, and for supplying messages of hope, humor, survival, and prosperity.

Accompanying the Words Matter print exhibition, Untold History highlights Indigenous comic book artists, writers, and illustrators who meld contemporary pop culture with rich heritage and identity within visual storytelling. Creators from tribes across North America create a new space of resistance by adopting and reimagining comics to restore their experiences as told in their own voice.

In presenting this exhibition, the Taubman Museum of Art also acknowledges and amplifies the story of the Monacan Indian Nation, whose past, present, and future are deeply rooted in this region.

The inclusion of contemporary works such as beading, clothing, pottery, and basketry reflects the vitality and resilience of Monacan culture, illustrating both continuity with longstanding traditions and the innovation of artists working today. These works, rich with cultural and personal symbols and motifs, embody a visual language that communicates history, identity, and resilience.

In dialogue with Words Matter and Untold History, these works reinforce the power of text, here expanded to encompass symbols as means of expression. Through these works, the exhibition underscores the enduring presence of the Monacan people and their contributions to the richness of Indigenous art and identity.

 

Blanket Stories: Continuum (Book 1), 2007, Marie Watt (Seneca Nation, born 1967), lithograph. Virginia Museum of Fine Arts, Richmond, Funds provided by Margaret A. and C. Boyd Clarke and Aldine S. Hartman Endowment Fund, 2020.157

Marie Watt (Seneca Nation, born 1967), Blanket Stories: Continuum (Book 1), 2007

Blanket Stories: Continuum (Book 1), 2007, Marie Watt (Seneca Nation, born 1967), lithograph. Virginia Museum of Fine Arts, Richmond, Funds provided by Margaret A. and C. Boyd Clarke and Aldine S. Hartman Endowment Fund, 2020.157

My Winter Count, 1999, Lynne Allen (Lakota descent, born 1948), silkscreen and lithograph. Virginia Museum of Fine Arts, Richmond, National Endowment for the Arts Fund for American Art, 2021.205

Lynne Allen (Lakota descent, born 1948), My Winter Count, 1999

My Winter Count, 1999, Lynne Allen (Lakota descent, born 1948), silkscreen and lithograph. Virginia Museum of Fine Arts, Richmond, National Endowment for the Arts Fund for American Art, 2021.205

Crow in a Boat, 2013, Rick Bartow (Mad River Band of Wiyot Indians, 1946–2016), monoprint. Virginia Museum of Fine Arts, Richmond, National Endowment for the Arts Fund for American Art, 2021.170

Rick Bartow (Mad River Band of Wiyot Indians, 1946-2016), Crow in a Boat, 2013

Crow in a Boat, 2013, Rick Bartow (Mad River Band of Wiyot Indians, 1946–2016), monoprint. Virginia Museum of Fine Arts, Richmond, National Endowment for the Arts Fund for American Art, 2021.170

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