Loading Events
Top: Genesis Chapman (American, Contemporary), Untitled (detail), 2017, Ink on Yupo paper, 5′ x 8′, Courtesy of the artist

Genesis Chapman: Fire on the Mountain

Mar 10, 2018 Aug 12, 2018

Genesis Chapman: Fire on the Mountain is a new exhibition by the Taubman Museum of Art’s first juried triennial winner, Genesis Chapman. The series centers around his personal struggle with the proposed Mountain Valley Pipeline, which will cross Chapman’s homeland in several places.

Chapman’s new works document the environmental impact of oil and gas pipelines across the United States.

Beginning in 2015, Chapman documented cases of pipeline explosions linked to companies including Pacific Gas and Electric (PG&E), Williams, Columbia Gas Transmissions, and the Colonial Pipeline Company. In 2017 he noted, “…there have been so many happening just this year I have found it hard to keep up…now I kind of want to have as many from each state that I can find. In all honesty, there is no lack of documented pipeline explosions from the past 10 years.”

Chapman’s ink on Yupo paper paintings mounted on wood-carved company logos document the destructive power of flame and smoke in almost hyperrealistic detail while the surrounding environment is left seemingly unfinished and stark white, perhaps alluding to a story that is still unfolding.

The artist says of his process, “My drawings and paintings reflect the pattern, movement, and energy of nature.”

Chapman’s forest fire paintings are timely on a national scale, though they were initially inspired by a brush fire that engulfed a portion of the land near his Bent Mountain cabin in November 2012. The showpiece of this exhibition, an 8-foot-tall depiction of an explosion, is titled Pillar of Fire: Mountain Valley Pipeline Nightmare. This large-scale ink painting is a fearful imagining of what could happen on the stretch of Bent Mountain and Bottom Creek visible from the artist’s cabin if there were a Mountain Valley Pipeline explosion. At the heart of Chapman’s extensive environmental studies, he simply states, “My art aims to examine and investigate Bent Mountain, Virginia, which is the place I grew up, and a place I deeply love.”

The Taubman Museum of Art’s Homeward Bound triennial exhibition in 2017 was a major juried show presenting work in all media by artists living in the Commonwealth of Virginia. Guest juror Bradley Sumrall of the Ogden Museum of Southern Art chose 74 works by 59 artists out of a total of 1,137 artworks submitted.

Genesis Chapman (American, Contemporary), Colonial Pipeline, Shelby County, Alabama, October 31, 2016, 2017, Ink on Yupo paper mounted on carved board, 24

Genesis Chapman (American, Contemporary), Colonial Pipeline, Shelby County, Alabama, October 31, 2016, 2017, Ink on Yupo paper mounted on carved board, 24″ x 24″, Courtesy of the artist

Genesis Chapman (American, Contemporary), Untitled (detail), 2017, Ink on Yupo paper, 5' x 8', Courtesy of the artist

Genesis Chapman (American, Contemporary), Untitled (detail), 2017, Ink on Yupo paper, 5′ x 8′, Courtesy of the artist

Get the latest news about events, programs, and exhibitions in your inbox.